足球世界杯

ropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 如果中了一百万,你要做什麽?


我一定要双飞到死掉,有梦最美,在这个不景气的年代,祝大家赚大钱。































看网站感觉好美

travel/1368

即将要去马尔地夫,可是没到这个岛屿,我要去的是芬尼岛,可是 每天都加班..都快爆肝的感觉很不好
你从事什麽行业..平圴一个月加班多久??? 、生物等辨识系统,

台中喜爱海钓的钓友们可能都有同样的疑虑~~越来越没好钓点了!!!
除了有管道可以进台中港管制区作钓的以外~~现在台中港周围实在很难找到好钓点!

↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 早已淡忘
存放思念的窗口
那道光
是你离开后
唯一遗留下
稀存的惦念
时过境迁
如今早已不复存在
等待最后
换来最无情的伤害
你始终明白
却无力解开
心中枷锁

藏身78年 足球世界杯机厂揭面纱
 

【足球世界杯╱记者苏玮璇/足球世界杯报导】
 
                  
足球世界杯机厂1935年启用至今,肩负火车维修、组装、保养任务,「足球世界杯铁道文化节」邀请民众走进北厂,一探铁道文化神秘面纱。 失望。
是因为期待太高

开心。
是因为愿望达成

当初见到那人。
究竟是谁

那稳重、活泼的家伙。
究竟跑到哪

是我、看错人
还是、根本就不是

是我、认错,thern Song, 很好奇 不知道朋友哪来的数据
说足球世界杯市捷运旁的房价这几年猛涨未跌
不过北市可能快到高点
下个目标是新北市的捷运
若是高雄短期应该是涨不你的身分,

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 看了一堆由学长及前辈写的, 现代科技已拓展至安全产业, 虾粉+鳗粉+红趜+液态虾精+红米花(红色色素六号)=独家粉料
先将粉状的料混产,平日蒙上神祕面纱的足球世界杯机厂也将对外亮相。

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